I still imagine what could happen and what I would do if confronted with new physical limitations. So as we began to discuss our own relation to labor in class, I wondered what would happen if I were to take away the use of my body for making and to restrict myself to experimenting with the immaterial. You could call it a test run, an imagining, practice for some potential inevitable. How can I apply my personal methods of experimentation,  manipulation and composition with that which I can’t touch?